The Marks

On Plate 3 (Europe) of the Sandycove Atlas there is a faint red crayon line which runs from near the location of Troy, on the Dardanelles, southwards through the Aegean, then swings west and clips Crete to die out before Malta. Also, north of Sicily there is a red mark under the Lipari Islands. The line and underline could be taken as a quick summary of the first half of the Odyssey. But other than the title there is little direct reference to the Odyssey in Ulysses. As an afterthought, Joyce named each of his 18 episodes after a leading player in Homer’s epic, but the connection between the title and the contents of each episode is usually quite loose.

The Texts

2 Nestor

In a letter to his friend Carlo Linati, about 1921, Joyce wrote ‘The character of Ulysses has fascinated me ever since boyhood.’ The red line across the Mediterranean could be seen as a young man expressing that fascination.

Also Plate 32 (Italia et Graecia) of the Atlas, where a teacher has marked homework for a class on the Pyrrhic Wars, pays special attention to the Aeolian Islands north of Sicily. Here was the home of the legendary King Aeolus, the master of the winds, who bundled them together to give Odysseus the package he needed to get home safely.

The volcanic Aeolian islands, which fascinated the ancients, are shown much larger than scale on Plate 32.3 They include Lipara (modern Lipari), which is underlined on Plate 3 and as the main island in the group was presumably the seat of Aeolus. Joyce named episode 7 of Ulysses, a satire on the effusions of the press, after Aeolus, the master of wind. Some examples follow.

[Selection of “windy” texts from Aeolus episode]

Discussion

Odysseus’ stay on the island of King Aeolus is a turning point of The Odyssey. Aeolus gives him a bag containing the westerly winds his ship and crew need to get back home to the island of Ithaca, 500 miles or so’s sailing to the east. But a combination of the crew’s avarice and their captain’s failure to keep them informed causes the bag to be opened and the winds to escape. As a result, Odysseus and his crew still have extensive adventures to go through before reaching Ithaca and defeating the suitors who are pestering his wife and consuming his wealth Joyce could have drawn the wandering red line and the underline of the island of Aeolus simply to see how the story of The Odyssey worked out on a map. Or he could have been mansplaining The Odyssey to Nora. Red and blue strokes and wandering lines were to become unmistakeable features of Joyce’s practice in future.
3 The ‘Aeoliae or Vulcaniae’ shown on Plate 32 comprise eight islands, as follows, with the modern names in brackets: Strongyle (Stromboli), Ericodes (Alicudi), Phoenicodes (Filicudi), Didyme (Salina?), Euonymais (Panarea?), Heraculis (Basiluzzo?), Lipara (Lipari), Hiera or Vulcania (Vulcano). Modern maps also have an Isola Linca Blanca.